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2020 Flügge, E. “Sounding in Paths, Hearing through Cracks: Sonic Arts Practices and Urban Institutions.” In The Bloomsbury Handbook of Sound Art, edited by Sanne Krogh Groth and Holger Schulze, 297–318. Bloomsbury Publishing USA.

2018 Flügge, E. “Silent sonorities and unsound acts.” Sound Studies, 4(1), pp.100-107. Routledge.

2017 Flügge, E. “Soundly Planning – Listening Practically to (Belfast) Sound Spaces.” Invisible Places Sounding Cities 2017: Conference Proceedings, 385-395. PDF Here

2017 Flügge, E. “Connecting Flights, Common Sounds.” In Tales of Sonic Displacement, edited by Luis Costa Julia Eckhardt, 205–211. Creative Europe programme of the European Union.

2016 Flügge, E. “Αrt that Arranges You. An ambiental consideration of sound art works and their potential to support urban listening practices.” Ambiances, tomorrow. Proceedings of 3rd International Congress on Ambiances. Septembre 2016, Volos, Greece, p. 171 – 176. hal-01414222.

2016 Flügge, E. “The Mobile Solo Auditor: Personalization and Located Listening” in <40 Emerging Voices, Leonardo Music Journal 24, 2014.

2014 Flügge, E. “Sonic Thinking: how sound art practices teach us critical listening to urban space” Invisible Places Sounding Cities Conference proceedings 18-20.07, Viseu, Portugal.

2014 Flügge, E. “Silent Sound Art: Performing the Unheard” in ACT Zeitschrift für Musik & Performance Issue 4, Ars Acustica, ISSN 2191-253X. Here

2012 Flügge, E. “Auditory Egocentrism (a brief outline of Personal Sound Space)” conference proceedings, The Global Composition, Sound, Media and the Environment, July 25-28 2012 Darmstadt/Dieburg, Germany, 133-142.

2011 Flügge, E. “The Consideration of Personal Sound Space: Toward a Practical Perspective on Individualized Auditory Experience” Journal of Sonic Studies, Volume 1, Nr. 1 (online).

“The Consideration of Personal Sound Space” in the Journal of Sonic Studies

2011 Texts for Looks Familiar catalogue: Ceremony / Kitsch / Name